Ogura #2 (English version)

Generally, black and white photographs, actual/contemporary (and not contemporary/patrimonial), leave me rather skeptical, since I often wonder what the artist aims at showing in it (‘it’, The black and white). But with Ogura, there is this deep black, almost asphaltic, dirty as oil, and this resisting white. How does she proceed? I say to myself … Lire la suite de Ogura #2 (English version)